We asked Ridley Scott to pick one favorite shot from each of his movies, as well as one from any other film. The director of Alien, Blade Runner, Gladiator, Napoleon, and many, many others breaks down each shot for us and explains what makes each so special to him.
Alien (1979)
“I like the shots prowling around the corridors. I was the operator, so we designed the set just wide enough to get a dolly down or it was all handheld. We built the lights into the set, so the side lights would be attached to a board on the side of the set where you can actually dim them, lower them, and bring in light.
So, in a funny kind of way, that was a fairly new way of doing it. But we built the lights into the set and because I knew everything was going to be more or less handheld, that was the shot. So moving along there through then seeing the corridor, seeing the empty ship was kind of beautiful. It's a haunted house. Alien, to me, was kind of really a B-movie, done in an A-plus way.”
Blade Runner (1982)
“The opening shot. That's the stunner and that is almost entirely Doug Trumbull and his team. I’d drawn the impossible, a dilapidated city and a ruined future. That's what we're doing, because of where we'd been heading for a while now. I think we're trying to do a U-turn, I hope we're not too late.