Innistrad: Midnight Hunt Brings Night And Day Changes To Magic: The Gathering

2 years 8 months ago

Wizards of the Coast has begun the grand unveiling of the first of two fall sets for Magic: the Gathering, ushering a return to the gothic horror-inspired Innistrad. With Innistrad: Midnight Hunt, the plane's denizens are welcoming the Harvesttide Festival, a central event to the set with card art depicting rituals of the festival. Our prior visit to the plane left the day and night cycle in disarray. Now, as the days pass and the Harvest Festival approaches, the nights have been growing abnormally longer, perfect for the horrors that go bump in the night to stir again. 

Midnight Hunt is back to being full of werewolves, vampires, zombies, and other terrifying creatures, instead of the Eldrazi threats from the last visit. A few mechanics have been revived (some with a new spin!), and the graveyard is a focus again in this morbid setting. Here's a look at what to expect in Innistrad: Midnight Hunt:

Flashback

Flashback is making a big return in Midnight Hunt. The mechanic remains the same – players can cast an instant or sorcery from their hand for its regular mana cost and cast it from the graveyard for its Flashback cost and exiling the card. However, this set introduces the first multicolored Flashback cards, greatly expanding the possible effects we can see. 

Transform

Transform made its debut in Innistrad and has become a mainstay for the plane. It’s no surprise that it returns for Midnight Hunt and features heavily in the werewolf tribe the set is based around. Transform cards use both sides of the cardboard, and meeting certain conditions allows the player to flip the card and unleash the horrors that await on the back. In the case of werewolves, they are human on one side, with their lycanthropic beast on the other. 

Along with the reintroduction of this take on double-sided cards are some new ways to transform them, whether it be due to the passage of time or facing the terrors of death.

Daybound and Nightbound

 

 

Easily the most complicated set mechanic, Magic now has a day/night cycle that will affect the battlefield. Actions (or inaction) during each turn, along with card effects, can determine whether the battlefield is experiencing day or night, and when the time shifts, cards bearing Daybound or Nightbound creatures are forced to transform. Some werewolves in the set will have both of these keywords on opposite sides of the card and will have their transformation bound to whether the sun is shining or the moon has risen. Arlinn Kord, the werewolf Planeswalker seen above, is subject to this very transformation condition.

The game rules will only start caring about the time of day if a Day/Nightbound card is played and only affects cards where the time of day is conditional. Here's how the time shifts if a creature or spell isn't specifically changing the time of day:

When it's daytime: if a player plays no spells during their turn, it becomes night next turn
When it's nighttime: if a player casts at least two spells during their turn, it becomes day next turn

It's a cool way of realizing the werewolf fantasy but keeping track of this while playing in paper will be a challenge. I foresee myself missing many time of day triggers by forgetting how many spells someone did or didn't play during their turn. It's a lot to keep track of and might be the most digital-centric mechanic we've seen from a Standard-legal set.

Disturb

 

Death is far from the end on Innistrad, and certain creatures ending up in the graveyard can find new life on the battlefield, albeit changed. Like Flashback or Embalm from Amonkhet, Disturb creatures can be cast from the graveyard, though they hit the battlefield transformed into whatever monstrosity is on the reverse side of the card. Unlike those prior mechanics, Disturb doesn't require the card to be exiled when cast but don't expect them to stick around forever. In the case of Generous Soul, it's exiled upon returning to the graveyard; a welcome safety valve for a mechanic that could otherwise get out of hand.

Author
John Carson